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நதியில் - ஸமுத்திரத்தில் ஸ்நானம், குளியல்

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நதியில் - ஸமுத்திரத்தில் ஸ்நானம், குளியல்



நதியில் - ஸமுத்திரத்தில் ஸ்நானம், குளியல் போன்றவற்றைப் பற்றிப் பலருக்கு நிறைய சந்தேகங்கள்! அதில் ஒன்று ஸமுத்திரத்திலோ, நதியிலோ ஸ்நானம் செய்துவிட்டு வீட்டிற்கு வந்து மறுபடியும் குளிக்கலாமா என்பது ஒன்று.


இதற்கு மகாபாரதத்திலேயே பதில் இருக்கிறது. காவேரி - கங்கா - யமுனை - கோதாவரி போன்ற புண்ணிய நதிகளிலும் ஸமுத்ரத்திலும் ஸ்நானம் செய்துவிட்டு வீட்டிற்கு வந்து மறுபடியும் குளிக்கக் கூடாது. இவ்வாறு செய்வதால் நாம் முன்பு செய்த நதி (ஸமுத்ர) ஸ்நான பலன் கிட்டாமல் போகலாம்.
பொதுவாக வைதிகமாக (மந்திரங்களால்) ஒரு செயல் செய்யப்பட்டு பிறகு அதே செயலை லௌகிகமாக மறுபடி (மந்திரமில்லாமல்) செய்தால் முன் செய்த வைதிகமான செயல் பயனற்றுப் போகும். இதை ஸ்ரீமத் ராமாயணத்தில் வால்மீகி ஓர் ஸம்பவம் மூலம் எடுத்துக் காட்டுகிறார்.


ஸ்ரீசுந்தர காண்டத்தில் இலங்கையில் ராவணன் மகன் இந்திரஜித், ஸ்ரீஆஞ்சநேயரை ப்ரம்மாஸ்திரத்தால் கட்டி விடுகிறான். பிதாமஹரான ப்ரும்மாவிற்கு மதிப்பளிக்க ஸ்ரீஆஞ்சநேயரும் ப்ரும்மாஸ்திரத்திற்குக் கட்டுப்பட்டு கிடக்கிறார். பிறகு அரக்கர்கள் அனைவரும் சேர்ந்து சணல் போன்ற கயிறுகளால் ஸ்ரீஹனுமாரை கட்டுகிறார்கள். இதனால் முன்பு மந்திரத்தால் கட்டப்பட்ட கட்டு விடுபட்டு பயனற்றதாகிப் போய் விடுகிறது. இதைக் கண்ட இந்திரஜித் மிகவும் வருந்துகிறான்.


தான் அஸ்திரத்திலிருந்து விடுபட்டதை அறிந்துகொண்ட அனுமார் ராவணனைக் காண வேண்டும் என்பதால் கட்டுப்பட்டவர் போலவே நடிக்கிறார். ஆனால் இந்திரஜித்துக்கோ அனுமார் தான் கட்டிய கட்டிலிருந்து விடுபட்டது தெரியாது. ஆகவேதான் கட்டப்பட்டு ராட்சசர்களால் அழைத்துச் செல்லும்போது தன்னை விடுவித்துக் கொள்ள முயற்சிக்கவில்லை என்று எண்ணுகிறான்.


இந்த நிகழ்ச்சியின் மூலம் வைதிக கர்மாவின் - மந்திரத்தின் சக்தியானது அதே செயலை மறுபடியும் லௌகீகமாகச் செய்வதால் பயனற்றதாகிவிடும் என்னும் தர்ம சாஸ்திரத்தை அழகாக விளக்குகிறார் வால்மீகி. ஆகவே நதிகளிலோ, சமுத்திரத்திலோ ஸ்நானம் செய்த பிறகு வீட்டிற்கு வந்து மறுபடியும் ஸ்நானம் செய்யக்கூடாது. இதனால் முதலில் செய்த ஸ்நான பலன் முழுமையாகக் கிடைக்காமல் போகலாம்.


"ஸந்தேக நிவாரணி (பாகம் 5)' என்ற நூலில் ப்ரும்மஸ்ரீ ராஜகோபால கனபாடிகள்.



????????? - Dinamani - Tamil Daily News

Fixing marriage muhurtham during guligan time

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This is a controversial subject and I would like to get the most appropriate answer. Many sasthrigals/astrologers have questioned what if guligan time clashes with muhurtha lagnam time whereas one particular astrologer vehemently speaks against FIXING MARRIAGE MUHURTHAM DURING GULIGAN TIME.
CAN THIS FORUM DISCUSS AND THROW OPEN THE FACT?

Saranagathis in Sriramayanam

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Saranagathis in Sriramayanam

In Sriramayanam, there are 6 places in which different people have done saranagathi. To put it in simple words, "Saranagathi" is the act of recongizing that one does not have anything in himself, one has renounced everything and has taken the Lotus Feet of the Lord as the lone protector". Every alternate saranagathi is a success and so every other one is a failure. We shall see what those are and then delve into why some were successful and some were not. Here is the 6 saranagathis. This is entirely from Sri.U.Ve.Velukudi Krishnan's swami's Pasurapadi Ramayanam upanyasam. Anything wrong here is due to adiyen's ignorance in understanding and anything good is swami's and acharyan's krupai.

1) Devas perform to Lord Sriman Narayana: This is when all the Devas and other demi gods went to Lord Sriman Narayanan to protect them from the wrath of Ravana. This was successful as the Lord himself incarnated as Rama in Tretha Yugam.



2) Dasaratha performs to Parasurama: On the way back from Mithilapuri to Ayodhya, Parasurama threatened Rama that He had broken just the shiva dhanush and that He needs to break the Vishnu Dhanush. If only can Rama do it, Parasurama would allow them to go, otherwise a war was in the cards. Dasaratha did saranagathi to Parasurama, but that was not successful as Lord Rama Himself has to intervene as Parasurama did not pay any heed to Dasaratha's words.


3) Lakshmana performs to Rama: When Rama decided to go to the forest for 14 years, Lakshamana wanted to join them as well. But Rama initially refused it. Later Lakshmana did saranagathi under the Lotus feet of Rama. Rama yielded to his request and hence all 3 went to the forest. This saranagathi was successful.



4) Bharatha performs to Rama: On hearing the news that his brother Rama had gone to forest, Bharathat wanted to bring HIM back to Ayodhya and wanted to hand over the kingdom to Rama. In order to do that, Bharatha went to Chithrakootam, did saranagathi to Rama. However, still Rama refused. We shall see why later.


5) Vibishana performs to Rama: Vibishanan did saranagathi at Thirupullani Sethu karai in Southern Tamil Nadu. He abandoned everything and seeked refuge under Rama. Rama gladly accepted him, though he was from the opposite army.

6) Rama performs to Samudra Rajan: In the same Thirupullani shore, Rama did saranagathi to the King of Ocean (Samudra Rajan) for 3 days. It was not successful as Samudra Rajan did not yielded to Rama's request.

So, on what factor does the success of a saranagathi depend? There are three main factors that we need to understand to comprehend it. They are (a) Quality of the person who does saranagathi (b) Quality of the person to whom sarangathi was done and (c) Lord's discretion. We shall go in to each one of these in detail

(a) Quality of the person who does saranagathi: In order to do saranagathi, a person who does it (saranagathan) should not have any qualification. In other words, "Lack of any qualification" is the only qualification of a saranagathan. He should not have anything left in him like a little bit of karma yogam, little bit of gyana yogam, little bit of bhakti yogam etc. He should not have anything with him and should reliquinsh everything he had. Our poorvacharyas have coined two terms to describe the lack of qualification.

(1) Akinchanyam and (2) Ananya gadhithvam.

Akinchinyam is the lack of any principal, lack of anything (kai mudhal illamai) that we can take it as a prerequisite for attaining moksham. Anaya Gadhithvam is the lack of a place where one can take refuge except Sriman Narayanan (veru pugal idam/ veru gathi illamal irupadhu).

(b) Quality of the person who accepts saranagathi: This person is known as the "Saranyan". "Saranyan" should have 2 qualities for him to protect the person who does saranagathi.

They are (a) Parathvam and (b) Sowlabhayam.

"Par" is boundary and "Para" is transgressing or crossing boundaries. It signifes that there is no one greater than Him, nothing stronger than Him, nothing invincible for Him, nothing that is beyond His knowledge, nothing that He cannot create, nothing He cannot protect and nothing He cannot destroy. So these parathvam qualities talk about the highest and the infinite.
The second category is "Sowlabhyam" qualities that glorifies the great qualities of making oneself available, approachable and to be able to easily mingle with one and all. To remember the word "Sowlabhyam" easily, remeber that it means "ease". We know that "sulabham" means easy in Thamizh. One who is easy or sulabham is known as "Sowlabhyan" and thus that quality of his is "Sowlabhyam".

It is this quality that is of utmost importance to a saranagathan, because if not for this, there is no way a saranagathan can love a saranayan. If not for this, a sarangathan can, at the most have a respect for saranyan and may be a fear towards a saranyan, but certainly not love. However, the "Parathvam" qualities are also important because if not for it either, He cannot protect us in the first place.


(c) The act of Saranagathi itself and His independent wish: This is a tricky clause because though the four qualities of a saranagthi ("Aakinchanyam" and "Ananya Gadhithvam" for a sarangathan and "Parathvam" and "Sowlabhyam" for a Saranayan) are exactly in place, at the end of the day, it is Perumal's thiruvullam (wish) to grant success. He is independent (swanthran) and is not controlled by anything and anybody. He can act to His whims and fancies.


With these three facets of saranagathi, if we analyze the aforementioned six saranagathis in Ramayanam, we can get answers as to why three failed and why three succeeded. We shall list:



1) Devas perform to Lord Sriman Narayana: Devas were troubled to an extreme extent that they did not have anything left in them other than to seek the Lotus Feet of Sriman Narayanan. Brahma and Siva gave a boon to Ravana that made him very close to inconquerable. So Devas, not only did they have anything in their hand to protect them , they cannot go to anyone else to ask for protection. So, saranyan had the two qualities of Aakinchanyam and Ananya Gadhi thvam to the fullest. Similarly, saranagathan Sriman Narayanan is the only one who has both Parathvam and Sowlabhyam.


2) Dasaratha performs to Parasurama: It was unsuccessful as Dasaratha was a mighty warrior himself to protect a whole kingdom. Parasurama was an incarnation of Sriman Narayanan, however He was known just for the Parathvam and Sowlabhyam was missing completely. So, this saranagathi failed miserably.

3) Lakshmana performs to Rama: Lakshmana had both qualities of a saranyanan. Though he is a great warrior, he always was aware of the fact that there is nothing for him to be proud about it, because he does not possess those powers. It was given unto him by his great brother Sri Rama. This was successful as Rama had the complete quality of a saranagathan and also there would be nothing stopping in pursuing His ulterior objective of Ramayanam.

4) Bharatha performs to Rama: This is an interesting one because both saranyan (Bharatha) and saranagathan (Rama) had the qualities in the fullest extent possible. This is when the third factor comes into picture.


The third factor is nothing but the act of saranagathi itself that deals with when it was done and subsequently Sriman Narayanan's independent wish. Bharatha performed sarangathi and want to reroute Rama to Ayodhya.

Rama was on a mission to meet and protect the rishis in the forest, meet Jatayu, Sabari, Sugreeva, Hanuman, Vibishana and finally kill Ravana. Rama was on a roll to let the story flow so that the world would know the importance of Sita, the universal mother, her sacrifices and the messages that she imparted to the world.

Bharatha, though he was a complete saranyan with full "aakinchanyam" and "anaya gadhi thvam", he performed in the wrong time for the reasons we saw above. So Rama did not yield to his request and asked him to go back to Ayodhya, after giving His "paadhukai". So, it is the Lord's wish totally because, if this is not, then it becomes a contract or a business, wherein, a saranyan goes ahead and says to Sriman Narayanan "I have shed everything. I do not have aakinchanyam. I am not going to anyone else apart from you. So you need to make sure this saranagathi of mine is successful right now and grant me moksham instantly". This is akin to a person who wanted to store water. He dug many deep holes in his back yard but complained "I have been doing a lot of hard work of digging holes to save water. I dug the holes very deep yet there is no rain when I finished it. This is not fair". So, it is the duty of a saranagathan to do saranagathi. The time of saranagathi and Lord Sriman Narayanan's ultimate wish depends if it will be successful now or later.

5) Vibishana performs to Rama: This is a very complete saranagathi and does not need any explanation as to why it succeeded. Azhwars celebrate Vibishana as "selva vibishanan", meaning "prosperous Vibishana" only after renouncing the worldly luxuries in Lanka and seeking the eternal luxury of being at the One and the Only Sriman Narayanan.

6) Rama performs to Samudra Rajan: As a saranyan, Lord Rama did not have "aakinchanyam" and "ananya gadhi thvam" and neither did the Samudra Rajan as a saranagathan. The King of Ocean is nothing compared to Rama. So, there is no wonder this saranagathi failed.


Goldspot: Saranagathis in Sriramayanam - Why did and why did'nt they succeed

Vedic time Surgery

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Vedic time Surgery

Indians were the first to dissect the human body in order to carry out successful surgeries, according to a paper set to be presented at the 102nd Indian Science Congress. Although Greeks are originally known to be the first to realize the importance of accurate surgeries, there are many such papers that state the need to explore Hindu epics for understanding the ancient world in its true sense.





References of advanced surgeries have been found in the Rig Veda - the first text of the universe created around 6000 BC. It suggests Indians had developed 20 types of sharp instruments and another 101 blunt instruments to carry out surgeries. Most of these, made from pure iron, even resembled modern surgical instruments.


Further, Indians knew of more than four ways to stop bleeding, which is always crucial in a successful surgery. Interestingly, ants were used for joining dissected intestines, and leeches to suck impure blood. These are methods accepted even today in the era of modern surgery.


And then there were plastic surgeries too! It is known that doctors then performed cranial and plastic surgeries, plucked damaged eyeballs and even removed a live fetus from a dead mother.


"So far, Sanskrit is essentially considered a language of religion and philosophy. But the fact is that it also talks about science including physics, chemistry, geography, geometry etc. There is a lot of scientific information available in these texts and historical documents that we want to explore," says Gauri Mahulikar, associate professor and head of department of Sanskrit at Mumbai University.

"Susrut Sahita is the first text of surgery, created not later than 1500 BC in India. References of advanced surgeries are also found in the Rig Veda," an extract from Ayurvedic physician Dr. Ashwin Sawant's paper says.


Would You Let A Vedic Surgeon Operate On You?

Thirteen Principles of Spiritual Activism

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Thirteen Principles of Spiritual Activism





These thirteen suggestions for ethical behavior and spiritual progression are based on principles which operate throughout the universe. When you reach the point in your life when you begin to take notice of these inviolate rules and consciously apply them, you begin to notice changes in your awareness, in your sense of fulfillment, satisfaction, and peace. When you follow these spiritual Rules of the Road for Life’s Journey, you will find yourself in harmony with the Voice of the Creator and life will flow through you like a river.



1. Transformation of motivation from anger/fear/despair to compassion/love/purpose. This is a vital challenge for today’s social change movement. This is not to deny the noble emotion of appropriate anger or outrage in the face of social injustice. Rather, this entails a crucial shift from fighting against evil to working for love, and the long-term results are very different, even if the outer activities appear virtually identical. Action follows Being, as the Sufi saying goes. Thus “a positive future cannot emerge from the mind of anger and despair” (Dalai Lama).



2. Non-attachment to outcome. This is difficult to put into practice, yet to the extent that we are attached to the results of our work, we rise and fall with our successes and failures­a sure path to burnout. Hold a clear intention, and let go of the outcome­recognizing that a larger wisdom is always operating. As Gandhi said, “the victory is in the doing,” not the results. Also, remain flexible in the face of changing circumstances: “Planning is invaluable, but plans are useless.”(Churchill)




3. Integrity is your protection. If your work has integrity, this will tend to protect you from negative energy and circumstances. You can often sidestep negative energy from others by becoming “transparent” to it, allowing it to pass through you with no adverse effect upon you. This is a consciousness practice that might be called “psychic aikido.”



4. Integrity in means and ends. Integrity in means cultivates integrity in the fruit of one’s work. A noble goal cannot be achieved utilizing ignoble means.



5. Don’t demonize your adversaries. It makes them more defensive and less receptive to your views. People respond to arrogance with their own arrogance, creating rigid polarization. Be a perpetual learner, and constantly challenge your own views.




6. You are unique. Find and fulfill your true calling. “It is better to tread your own path, however humbly, than that of another, however successfully.” (Bhagavad Gita)



7. Love thy enemy. Or at least, have compassion for them. This is a vital challenge for our times. This does not mean indulging falsehood or corruption. It means moving from “us/them” thinking to “we” consciousness, from separation to cooperation, recognizing that we human beings are ultimately far more alike than we are different. This is challenging in situations with people whose views are radically opposed to yours. Be hard on the issues, soft on the people.



8. Your work is for the world, not for you. In doing service work, you are working for others. The full harvest of your work may not take place in your lifetime, yet your efforts now are making possible a better life for future generations. Let your fulfillment come in gratitude for being called to do this work, and from doing it with as much compassion, authenticity, fortitude, and forgiveness as you can muster.



9. Selfless service is a myth. In serving others, we serve our true selves. “It is in giving that we receive.” We are sustained by those we serve, just as we are blessed when we forgive others. As Gandhi says, the practice of satyagraha (“clinging to truth”) confers a “matchless and universal power” upon those who practice it. Service work is enlightened self-interest, because it cultivates an expanded sense of self that includes all others.



10. Do not insulate yourself from the pain of the world. Shielding yourself from heartbreak prevents transformation. Let your heart break open, and learn to move in the world with a broken heart. As Gibran says, “Your pain is the medicine by which the physician within heals thyself.” When we open ourselves to the pain of the world, we become the medicine that heals the world. This is what Gandhi understood so deeply in his principles of ahimsa and satyagraha. A broken heart becomes an open heart, and genuine transformation begins.



11. What you attend to, you become. Your essence is pliable, and ultimately you become that which you most deeply focus your attention upon. You reap what you sow, so choose your actions carefully. If you constantly engage in battles, you become embattled yourself. If you constantly give love, you become love itself.



12. Rely on faith, and let go of having to figure it all out. There are larger ‘divine’ forces at work that we can trust completely without knowing their precise workings or agendas. Faith means trusting the unknown, and offering yourself as a vehicle for the intrinsic benevolence of the cosmos. “The first step to wisdom is silence. The second is listening.” If you genuinely ask inwardly and listen for guidance, and then follow it carefully­you are working in accord with these larger forces, and you become the instrument for their music.


13. Love creates the form. Not the other way around. The heart crosses the abyss that the mind creates, and operates at depths unknown to the mind. Don’t get trapped by “pessimism concerning human nature that is not balanced by an optimism concerning divine nature, or you will overlook the cure of grace.” (Martin Luther King) Let your heart’s love infuse your work and you cannot fail, though your dreams may manifest in ways different from what you imagine.

Thirteen Principles of Spiritual Activism

தானமும் பலன்களும்

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என்னென்ன பொருட்களை தானம் செய்தால் என்னென்ன பலன்கள் வரும் என்பதை பார்ப்போம் ;
1), வஸ்த்ரதானம் - ஆயுள் விருத்தி
2), பூமி தானம் - ப்ரம்ம லோக பதவி.
3), தேன் - புத்ர பாக்கியம். (வெண்கல பாத்திரத்தில்)
4), கோதானம் - ரிஷிக்கடன்,தேவக்கடன், பித்ருக்கடன்,மூன்றையும் போக்கும்.
5), நெல்லிக்காய்தானம் - ஞானத்தை கொடுக்கும்
6), கோவிலில் தீப தானம் - சக்கரவத்தி பதவி கிட்டும்.
7), தீப தானம் - கண்பார்வை விருத்தி.
8), விதை தானம் - தீர்க்க - ஆயுள், தீர்க்க -ஆயுள் - சந்ததி கிட்டும்.
9), அரிசி - சகல பாவமும் போகும்.
10), தாம்பூலம் , பழம் - ஸ்வர்க்க பதவி கிட்டும்.
11), கம்பளி தானம் - வாயுரோகம் தீரும்.
12), பருத்தி - குஷ்டம் அகலும்.
13), பூணூல் - பிராம்மண ஜென்மா கிடைக்கும்.
14), புஷ்பம்,துளசி, - ஸ்வர்க்கத்தில் இடம் கிடைக்கும்.
15), நெய் - ரோக நிவர்த்தி.
16), சர்க்கரை - ஆயுள் விருத்தி.
17), பால் - துக்கம் அகலும்.

18), எள் - எமபயம் அகலும்.
19), கடலை - சந்தான விருத்தி.
20), ஸ்வர்ணம் - பாபம்,ஏழ்மை அகலும்.
21), குடை,பாதுகை - யமலோகத்தில் சுகம் தரும்.
22), கன்யா தானம் - ப்ரம்ம லோக பதவி தரும்.
23), ஜப மாலை, ஆசனம் - நல்ல ஜன்மாவை தரும்.
24), அன்னதானம் - ஸ்வர்க்க பதவி.




Parathasarathy Suresh

The Concept of God in Hinduism by Swami Krishnananda

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The Concept of God in Hinduism by Swami Krishnananda

The earliest statement of the Nature of Reality occurs in the first book of the Rig-Veda: Ekam Sat-Viprah Bahudha Vadanti. "The ONE BEING, the wise diversely speak of."


The tenth book of the Rig-Veda regards the highest conception of God both as the Impersonal and the Personal: The Nasadiya Sukta states that the Supreme Being is both the Unmanifest and the Manifest, Existence as well as Non-existence, the Supreme Indeterminable.


The Purusha-Sukta proclaims that all this Universe is God as the Supreme Person – the Purusha with thousands of heads, thousands of eyes, thousands of limbs in His Cosmic Body. He envelops the whole cosmos and transcends it to infinity.


The Narayana-Sukta exclaims that whatever is anywhere, visible or invisible, all this is pervaded by Narayana within and without.


The Hiranyagarbha-Sukta of the Rig-Veda declares that God manifested Himself in the beginning as the Creator of the Universe, encompassing all things, including everything within Himself, the collective totality, as it were, of the whole of creation, animating it as the Supreme Intelligence.


The Satarudriya or Rudra-Adhyaya of the Yajur-Veda identifies all things, the high and the low, the moving and the unmoving, the good and the bad, the beautiful and the ugly, nay, every conceivable thing, with the all-pervading Siva or Rudra as the Supreme God.


The Isavasya Upanishad says that the whole Universe is pervaded by Isvara or God, who is both within and without it. He is the moving and the unmoving, He is far and near, He is within all these and without all these.

The Kena Upanishad
says that the Supreme Reality is beyond the perception of the senses and the mind because the senses and the mind can visualise and conceive only the objects, while Reality is the Supreme Subject, the very precondition of all sensation, thinking, understanding, etc. No one can behold God because He is the beholder of all things.


The Kathopanishad has it that God is the Root of this Tree of world existence. The realisation of God is regarded as the Supreme blessedness or Shreyas, as apart from Preyas or temporal experience of satisfaction.
The Prasna Upanishad says that God is the Supreme Prajapati or Creator, in whom are blended both the matter and energy of the Universe. God is symbolised in Pranava, or Omkara.


The Mundaka Upanishad gives the image of the Supreme Being as the One Ocean into which all the rivers of individual existence enter and with which they become one, as their final goal.


The Mandukya Upanishad regards the Supreme Being as the Turiya, or the Transcendent Consciousness, beyond the stales of waking, dreaming and deep sleep.


The Taittiriya Upanishad regards the Reality as the Atman, or the Self, beyond the physical, vital, mental, intellectual and causal aspects(sheaths) of the personality. It also identifies this Atman with the Supreme Absolute, or Brahman.


The Aitareya Upanishad states that the Supreme Atman has manifested itself as the objective Universe from the one side and the subjective individuals on the other side, in which process, factors which are effects of God's creation become causes of individual's perception, by a reversal of the process.


The Chhandogya Upanishad says that all this Universe is Brahman Manifest in all its states of manifestation. It regards objects as really aspects of the one Subject known as the Vaishvanara-Atman. It also holds that the Supreme Being is the Infinite, or Bhuma, in which one sees nothing else, hears nothing else, and understands nothing else except the Self as the only, existence.


In the Brihadaranyaka Upanishad we are told that the Supreme Being is Pure Consciousness, in which subjects and objects merge together in a state of Universality.


The Supreme Being knew only Itself as 'I-Am', inclusive of everything. As He is the Knower of all things, no one can know Him, except as 'He Is'.


The Svetasvatara Upanishad says, 'Thou art the Woman', 'Thou art the Man', 'Thou art Girl', 'Thou art Boy', 'Thou deceivest us as the old man tottering with the stick', 'Thou movest everywhere, in the form of everything, in all directions', 'Thou art the dark-blue Butterfly, and the Green Parrot with red eyes', 'Thou art the thunder cloud, the Seasons and the Oceans', 'Thou art without beginning and beyond all time and space', 'Thou art That from which all the Universes are born'. 'That alone is Fire. That is the Sun. That is Air, That is the Moon, That is also the starry firmament, That is the waters, That is Prajapati, That is Brahman.'

That Divine Being, who, though Himself formless, gives rise to various forms in different ways with the help of His Supreme Power for His own inscrutable purpose, and Who dissolves the whole Universe in Himself in the end – may He endow us with pure understanding.


He is the Great Being who shines effulgent like the Sun, beyond all darkness. Knowing Him alone one crosses beyond death. There is no other way of going over there.


The One God, Creator of the heaven and earth, is possessed of all eyes, all faces, all hands, and all feet in this Universe. It is He who inspires all to do their respective functions, as if fanning their fire into flames of movement.


Manu says in his Smriti: In the beginning, all this existence was one Undifferentiated Mass of Unmanifestedness, unknown, indefinable, unarguable and unknown in every way. From this Supreme Condition arose the Universe of name and form, through the medium of the Self-existent Creator, Swayambhu.

The Mahabharata says that Narayana alone was in the beginning, who was the prius of the creative, preservative, and destructive principles, the Trinity known as Brahma, Vishnu and Siva – the Supreme Hari, multi-headed, multi-eyed, multi-footed, multi-armed, multi-limbed. This was the Supreme Seed of all creation, subtler than the subtlest, greater than the greatest, larger than the largest, and more magnificent than even the best of all things, more powerful, than even the wind and all the gods, more resplendent than the Sun and the Moon, and more internal than even the mind and the intellect. He is the Creator, the Father Supreme.


The Bhagavadgita in the Mahabharata, says: The Supreme Brahman is beyond existence and non-existence. It has hands and feet everywhere, heads, mouths, eyes everywhere, ears everywhere, and it exists enveloping everything. Undivided, it appears as divided among beings; attributeless, it appears to have attributes in association with things. It is the Light of all lights, beyond all darkness, and is situated in the hearts of all beings.


He is the sacrifice, He is the oblation, He is the performer thereof, He is the recitation or the chant, He is the sacred fire, He is what is offered into it. He is the father, the mother, the grandfather, the support, the One knowable Thing, He is the three Vedas, the Goal of all beings, the Protector, the Reality, the Witness, the Repository, the Refuge, the Friend, the beginning, the middle and the end of all things. He is immortality and death, existence as well as non-existence. He is the Visvarupa, the Cosmic Form, blazing like fire and consuming all things.


According to the Bhagavata and the Mahabharata, God especially manifested Himself as Bhagavan Sri Krishna, who is regarded as the foremost of the divine Incarnations, in whose personality the Supreme Being is fully focussed and manifest.


Srimad Bhagavata says: He is Brahman(the Absolute), Paramatman(God), Bhagavan(the Incarnation).


According to the Pancharatra Agama and the Vaishnava theology, God has five forms: the Para or the Transcendent, Antaryamin or the Immanent, Vyuha or the Collective(known as Vasudeva, Sankarshana, Pradyumna and Aniruddha), Vibhava or the Incarnation, and Archa or the symbolic form of daily worship.



According to Saiva tradition, God is Pati, the Lord who controls the individuals known as Pasu, with His Power known as Pasa.



According to the Sakta tradition, God is the Divine Universal Mother of all things, Adi-sakti, or the original Creative Power, manifesting Herself as Kriya-Sakti or Durga, Ichha-Sakti or Lakshmi, and Jnana-Sakti or Sarasvati. But the Supreme Mother is beyond all these forms. She is One, alone, without a second.


According to the Bhakti tradition, God is the Supreme Object of Love, in respect of Whom love is evinced as in respect of one's father, mother, friend, son, master, or one's own beloved, in the five forms of affection, known as Shanta, Sakhya, Vatsalya, Dasya and Madhurya.


To the Vaishnavas, God is in Vaikuntha as Vishnu. To the Saivas, God is in Kailasa as Siva, or Rudra. To the Saktas, God is in Manidvipa, as the Supreme Sakti or the Divine Mother. To the Ganapatyas, God is Ganesa, or Ganapati. To the Sauras, God is Surya, the Sun. To the Kaumaras, God is Kumara, or Skanda.


To the saints like Tulasidas, God is Rama; to those like Surdas, He is Krishna. To those like Kabirdas, He is the Impersonal, Attributeless One, known by various names for purposes of worship and meditation.


All the Vaishnava saints worship Him as either Rama or Krishna, Narayana or Vishnu. The Saiva saints worship Him as Paramasiva. The Saktas worship Him as Adi-sakti. The philosopher-saints worship Him as Brahman, the Absolute, as Isvara, Hiranyagarbha, and Virat or the Cosmic Being.


The Virat-Saivas worship God as Siva, especially manifest as the Linga(symbolised in the rounded sacred stone which they wear round their necks).


The symbol of Vishnu is the Saligrama, the symbol of Siva is the Linga, and the symbol of Devi is the Yantra(sometimes, a Mantra).


According to the Nyaya and Vaiseshika schools, God is the instrumental cause of creation, like a potter fashioning a pot of clay, but not the material cause of creation.


The Samkhya school holds that there are only two Primary Principles, Purusha and Prakriti, and creation is only a manifestation or evolution of the constituents of Prakriti due to the action of Purusha's consciousness. There is no other God than these two Principles.


The Yoga school of Patanjali
accepts God's existence as a Special Purusha free from all afflictions, Karma the effects of Karmas and impressions or potencies of a binding nature. But this Purusha, known as Isvara, according to Patanjali's Yoga System, is not the creator of the world, but a Witness thereof. Nor is He the goal of the aspirations of the Jivas or individuals.


The Yogavasishtha defines Reality as the Consciousness which is between and transcends the subjective and objective aspects in perception and cognition, etc. Consciousness is the Absolute, Brahman, the only existence, of which the world is only an appearance.


The Brahmasutra states that God is That from Whom this Universe proceeds, in Whom it subsists, and to Whom, in the end, it returns.


Kalidasa, in his Raghuvamsa and Kumarasambhava, points out that God is the Supreme Being, is prior to the forms of Brahma, Vishnu and Siva, who are three aspects or phases of God, and that Brahma, Vishnu and Siva, being three forms of one and the same Reality, are equal to one another in every respect, without inferiority or superiority among them.


Bhartrihari prays to that Infinite Consciousness, which is Peaceful Effulgence, which is undifferentiated by the interference of space, time and causal relation, etc., and whose essence is Self-Experience alone.



Madhusudana Sarasvati blends Advaita Vedanta and Bhakti-Rasa, and he is the author of the most polemical and authoritative Advaita text, known as the 'Advaitasiddhi', and of an unparalleled compendium of the various processes and stages of devotion to God, known as 'Bhaktirasayana'. His commentary on the Bhagavadgita is a monument of a fusion of knowledge of the Impersonal Absolute with devotion to the Personal God.

Religions are founded on a metaphysical rock-bottom. There is a philosophical import behind every ethical canon.



Generally, the tradition of worship of Deities in India is according to a sort of protocol which the devotees associate with the importance of the Deities. For instance, worshippers of a particular Deity, such as Ganesa, Siva, Vishnu, Surya or Skanda, will place their own Deity as the first in importance and every other Deity as secondary. There is another tradition according to which the order of worship places Ganesa as the first, to be worshipped on any occasion, and then Devi, Siva, Vishnu, Surya and Skanda. This order may get slightly changed in different circles of religious belief. But the discourses recorded in this book do not follow any of these patterns but a chronological arrangement according to the festivals that come one after the other, seriatim, during the course of the calendar of the year, that is, from the beginning of the year to the end of the year. The functions and festivals repeat themselves every year on specific days or dates. Thus, the order in which the functions or the Deities of worship are mentioned here follow their calendar-wise chronology.


The Concept of God in Hinduism by Swami Krishnananda

Asatoma Ma Sadgamaya

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Asatoma Ma Sadgamaya

Meaning of the mantra ‘Asatoma Ma Sadgamaya’

asato ma sadgamaya
tamaso ma jyotirgamaya
mrtyorma amrtam gamaya
om shanti shanti shanti.



Lead me from the asat to the sat.
Lead me from darkness to light.
Lead me from death to immortality
Om Peace Peace Peace.


(Brhadaranyaka Upanishad — I.iii.28)


This is true prayer—the seeker’s admission of his sense of limitedness and his heartfelt cry for assistance in transcendence. It is not a prayer for the things of the world. It is not a pray for food, shelter, health, partnership, riches, success, fame, glory or even for heaven1. One who recites these three mantras has realized that such things are full of holes, soaked in pain and, even in abundance, will forever leave him wanting. It is in this full understanding that one turns to this prayer. The essence of each of these three mantras is the same: “O, Guru, help me free myself from my sundry misunderstandings regarding myself, the universe and God and bless me with true knowledge.”


The first line—asato ma sadgamaya—means, “Lead me from the asat to the sat.” In fact, it is best to not translate sat (nor its negative counterpart asat) for, as with many Sanskrit words, sat has many meanings and not only are most of them applicable here, their deliberate combined import provides a depth that no one of them could hold independently. These co-applicable meanings include: existence, reality and truth. (Co-applicable meanings for asat being: non-existence, non-reality and untruth.)



We often speak of religion or philosophy as a search for Truth. But only in India’s philosophy of Advaita Vedanta has the concept of “truth” been so meticulously and successfully dissected.

According to Advaita, for something to be considered true in the ultimate sense, it must be true not just at one given moment, but always be true—true in all three periods of time: the past, present and future. In fact, Advaita goes one step further. It says if something does not exist in all three periods of time that it does not truly exist, it is not ultimately real. Thus, truth, existence and reality are one and the same. That reality, Vedanta says, is what we call God.



The universe and its things are in a constant state of change. The planets are in constant motion, their positions in relation to each other and the other astral bodies are in continuous flux. The seasons similarly are ever-shifting. Scientifically, we can easily understand that our bodies (and the cells within them) come into existence, are born and then go through periods of growth, sustenance, deterioration and death. In fact these six modifications are part-and-parcel of everything in creation. On the level of emotions, we move back and forth between happiness, sorrow and anger. Even our intellectual convictions rarely stay fixed for very long. So, according to Vedanta, we cannot call this world ultimately real. It is not ultimately true. Ultimately, it does not exist. It seems real etc. but it is not. Such a thing is called asat.



The seeker giving voice to this prayer has come to understand the finite nature of all the objects of the world, and he wants the Guru to guide him from the asat to the sat. He is fed up with depending on things that are not real. Why? Because just as the sandcastle is always washed away by the tide, dependence on the asat always ends in pain. Sat is our True Self—the blissful consciousness that ever was, is and ever will be. Being beyond time, this consciousness can never be washed away by the time’s tides. In fact, sat is there as the essential part of all of the asat objects. It is a matter of separating the wheat from the chaff, as it were.
When speaking about the ultimate reality, Sages say it is of the nature of sat-cit-ananda: pure existence, pure consciousness and pure bliss.


The second line—tamaso ma jyotirgamaya—means “Lead me from darkness to light.” When the Vedas refer to darkness and light, they mean ignorance and knowledge, respectfully. This is so because ignorance, like darkness, obscures true understanding. And in the same way that the only remedy for darkness is light, the only remedy for ignorance is knowledge. The knowledge spoken of here is again the knowledge of one’s true nature.


Currently, in the darkness of our ignorance, we believe ourselves to be bound and limited (otherwise we would not be reciting these mantras in the first place). But the Guru and the scriptures are telling us that, in truth, we are not, never will be and never have been bound. Eternally we sat-cit-ananda. The only thing that can remove our ignorance regarding our true nature is a spiritual education at the hands of a True Master like Amma. At the culmination of such an education, light floods the room, as it were; darkness vanishes.


The third line —mrtyorma amrtam gamaya—means: “Lead me from death to immortality.” This should not be taken as a prayer to live endless years in heaven or on earth. It is a prayer to the Guru for assistance in realizing the truth that “I was never born, nor can ever die, as I am not the body, mind and intellect, but the eternal, blissful consciousness that serves as the substratum of all creation.”


It is important to remember that, with all these mantras, the leading is not a physical leading. The Atma is not something far away that we have to make a pilgrimage to, nor is it something we need to transform ourselves into. Atma means “self.” We don’t need to transform our self into our self. Nor do we need to travel to it. We are it. The journey is a journey of knowledge. It is journey from what we misunderstand to be our self to what truly is our self. What the mantras really means is “Lead me to the understanding that I am not the limited body, mind and intellect, but am, was and always will be that eternal, absolute, blissful consciousness that serves as their substratum.”


Lead us from untruth to Truth Asatoma Sadgamaya

Rudraksha Importance From Shivapuran.

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Rudraksha Importance From Shivapuran.




- While making Rosaries (Mala) of Rudraksha. We should maka rossary(mala) of 108 beads or 54 beads or 27 beads.


- Any one who wish to attain moksha(salvation) they should do jap(chant) with 25 beads Mala, Any one who want wealth do jap with 30 beads rudraksha mala, Any one who want long life should do jap with 25 beads mala,

Any one who want to do jap without thought or wish should do jap with 15 beads mala. Those human who wear 27 beads Rudraksha mala in their neck. Whatever work these human beings do . They will get more and more benefits.



- Wearing Rudraksha destroy all kinds of Sin which occur by seeing,listening, smelling,tasteing etc...


- Any one who donate something like food,cloth to holy men who is wearing Rudraksha in day of pitri shraadh (ancestor rituals yearly puja). Their ancestor reach pitri lok which is far from chandra lok(moon). There is no doubt on it. And if we wash feet of these holy men (sadhus) who is wearing rudraksha. And drink that jal(holy water) we will attain shiv lok by washing our sin.


- Any one who wear beautiful jewellery,Pearl(moti mala) etc different varity of oranments with rudraksha.They are blessed by shiva.


- Rudraksha is favourite ornaments of god shiva. It is divine gift to nature.


- Rudraksha is Eyes of Lord shiva. The origin of rudraksha is related to Shiva eyes.


- Rudraksha have varity of types known as different mukhi Rudraksha (faces which rudraksha have). Each type of Rudraksha represent symbol of different god/goddess.


- Different types of Rudraksha have various legend,benefits,properties.


- Rudraksha wearer should not take meat,alchohol etc.


- The important day and great day to wear rudraksha is Monday,shivaratri,sankranti,purnima(full moon day),ekadashi etc.


Nepal Rudraksha - Shaligram/Rudraksha

Mahavakyas

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Mahavakyas

There are four Mahavakyas, or great statements in the Upanishads, which have a profound significance as pointers to Reality. They are: (1) Prajnanam Brahma – Consciousness is Brahman; (2) Aham Brahmasmi – I am Brahman: (3) Tat Tvam Asi – That Thou Art; (4) Ayam Atma Brahma – This Self is Brahman.


These Mahavakyas convey the essential teaching of the Upanishads, namely, Reality is one, and the individual is essentially identical with it. In the sentence, ‘ Prajnanam Brahma’ or Consciousness is Brahman, a definition of Reality is given. The best definition of Brahman would be to give expression to its supra-essential essence, and not to describe it with reference to accidental attributes, such as creatorship etc. That which is ultimately responsible for all our sensory activities, as seeing, hearing, etc., is Consciousness.

Though Consciousness does not directly see or hear, it is impossible to have these sensory operations without it. Hence it should be considered as the final meaning of our mental and physical activities. Brahman is that which is Absolute, fills all space, is complete in itself, to which there is no second, and which is continuously present in everything, from the creator down to the lowest of matter. It, being everywhere, is also in each and every individual. This is the meaning of Prajnanam Brahma occurring in the Aitareya Upanishad.

‘I Am Brahman’

In the sentence, ‘ Aham Brahmasmi,’ or I am Brahman, the ‘I’ is that which is the One Witnessing Consciousness, standing apart form even the intellect, different from the ego-principle, and shining through every act of thinking, feeling, etc. This Witness-Consciousness, being the same in all, is universal, and cannot be distinguished from Brahman, which is the Absolute. Hence the essential ‘I’ which is full, super-rational and resplendent, should be the same as Brahman. This is not the identification of the limited individual ‘I’ with Brahman, but it is the Universal Substratum of individuality that is asserted to be what it is. The copula ‘am’ does not signify any empirical relation between two entities, but affirms the non-duality of essence. This dictum is from the Brihadaranyaka Upanishad.

‘That Thou Art’


In the Chhandogya Upanishad occurs the Mahavakya, ‘ Tat Tvam Asi’ or ‘That thou art’. Sage Uddalaka mentions this nine times, while instructing his disciple Svetaketu in the nature of Reality. That which is one alone without a second, without name and form, and which existed before creation, as well as after creation, as pure Existence alone, is what is referred to as Tat or That, in this sentence. The term Tvam stands for that which is in the innermost recesses of the student or the aspirant, but which is transcendent to the intellect, mind, senses, etc., and is the real ‘I’ of the student addressed in the teaching. The union of Tat and Tvam is by the term Asi or are. That Reality is remote is a misconception, which is removed by the instruction that it is within one’s own self. The erroneous notion that the Self is limited is dispelled by the instruction that it is the same as Reality.

‘This Self is Brahman’


The Mahavakya, ‘Ayam Atma Brahma’ or ‘This Self is Brahman’, occurs in the Mandukya Upanishad. ‘ Ayam’ means ‘this’, and here ‘thisness’ refers to the self-luminous and non-mediate nature of the Self, which is internal to everything, from the Ahamkara or ego down to the physical body. This Self is Brahman, which is the substance out of which all things are really made. That which is everywhere, is also within us, and what is within us is everywhere. This is called ‘Brahman’, because it is plenum, fills all space, expands into all existence, and is vast beyond all measure of perception or knowledge. On account of self-luminosity, non-relativity and universality, Atman and Brahman are the same. This identification of the Self with Absolute is not any act of bringing together two differing natures, but is an affirmation that absoluteness or universality includes everything, and there is nothing outside it.

Discrimination of the Mahavakyas - The Philosophy of the Panchadasi - Chapter 5

ஜெபமாலையில் 108 மணிகள் இருப்பதற்கான காரணஙĮ

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இந்து மதத்தில் மந்திரங்களை ஜெபிக்க பயன்படுத்தும் ஜெபமாலையில் 108 மணிகள் இருக்கும். இப்படி ஜெபமாலையில் 108 மணிகள் இருப்பதற்கு பின்னால் சமயஞ்சார்ந்த மற்றும் அறிவியல் சார்ந்த காரணங்கள் உள்ளது. ருத்ராட்சை, துளசி, முத்துக்கள் அல்லது கற்களால் செய்யப்பட்டது தான் ஜெபமாலை. இதற்கு அற்புதமான சக்திகளும் உள்ளது. ஜெபமாலையுடன் கூறப்படும் மந்திரங்கள் இரண்டு மடங்கு அதிக பலனை மிக வேகமாக அளிக்கும். மந்திரங்கள் கூறுவது தான் கடவுளை வணங்குவதற்கான சிறந்த வழியாகும். பழங்காலத்தில் முனிவர்களும். ரிஷிகளும் இந்த முறையை தான் பின்பற்றி வந்தனர். ஜெபமாலை இல்லாமல் மந்திரம் உரைப்பது, எந்த பலனையும் அளிக்காது என நம்பப்படுகிறது. ருத்ராட்சையால் செய்யப்பட்ட ஜெபமாலைக்கு தான் பலன் அதிகம். அது சிவபெருமானை குறிக்கும் அடையாளமாகும். நுண்ணிய கிருமிகளை அழிக்கும் சக்தியை ருத்ராட்சை கொண்டுள்ளது. மேலும் வெளியில் இருந்து நேர்மறையான ஆற்றல் திறனை கொண்டு வரும்.

இந்து சாஸ்திரத்தில் "ஷடாஷ்டணி டிவரட்ரோ சஹாஸ்ரனயேகம் விஷாந்தி எடத் சங்க்யன்திட்னம் மந்த்ரம் ஜீவோ ஜபட்டி சர்வதா" இந்த ஸ்லோகத்தின் படி, ஒரு சாதாரண மனிதன் தினமும் மூச்சு விடும் எண்ணிக்கை, ஜெபமாலையில் உள்ள மணிகளுடன் தொடர்பில் உள்ளது. 24 மண நேரத்தில் ஒருவர் 21,500 முறை மூச்சு விடுகிறார். 24 மணிநேரத்தில் தினசரி நடவடிக்கைகளை மேற்கொள்ள 12 மணிநேரங்கள் தேவைப்படுகிறது. இந்த 12 மணிநேரத்தில் ஒரவர் 10,800 முறை மூச்சு விடுகிறார். கடவுள்களை வணங்க இந்த 12 மணிநேரம் மிகவும் சிறந்த நேரமாக கருதப்படுகிறது. 12 மணி நேரத்தில் கடவுளின் பெயரை 10,800 முறை கடவுளின் பெயரை ஜெபிக்க முடியாததால், 10,800-ல் கடைசி இரண்டு பூஜ்யம் நீக்கப்பட்டு, 108 முறையை கடவுளை ஜெபிக்க முடிவு செய்யப்பட்டது.

மற்றொரு நம்பிக்கை மற்றொரு நம்பிக்கையின் படி, ஜெபமாலையில் உள்ள 108 மணிகள் சூரியனின் கலைகளோடு ஒப்பிடப்பட்டுள்ளது. ஒரு வருடத்தில் தன் தோற்றத்தை 2,16,000 முறை மாற்றிடும் சூரியன். தன் நிலையை வருடத்திற்கு இரண்டு முறை மாற்றும். 6 மாதத்தில் சூரியனின் தோற்றம் 1,08,000 முறை மாற்றிடும். 1,08,000-ல் கடைசி மூன்று பூஜ்யங்கள் நீக்கப்பட்டு, ஜெபமாலை மூலம் மந்திரங்கள் ஜெபிக்க 108-ஆக ஆக்கப்பட்டுள்ளது.

ஜோதிட சாஸ்திரம் ஜோதிட சாஸ்திரத்தின் படி, இந்த அண்டமே 12 பாகங்களாக பிரிக்கப்பட்டுள்ளது. இந்த 12 பாகங்களின் பெயர்கள்: மேஷம், ரிஷபம், மிதுனம், கடகம், சிம்மம், கன்னி, துலாம், விருச்சிகம், தனுசு, மகரம், கும்பம் மற்றும் மீனம். இந்த பாகங்களை சூரியன், சந்திரன், செவ்வாய், புதன், குரு, வெள்ளி, சனி, ராகு மற்றும் கேது ஆகிய கிரகங்கள் ஆள்கிறது. இந்த 12 ராசிகளை 9 கிரகங்களால் பெருக்கினால் 108 வரும். அதனால் ஜெபமாலையில் உள்ள மணிகள் இந்த அண்டத்தை குறிக்கிறது.

வேறொரு நம்பிக்கை மற்றொரு நம்பிக்கையின் படி, ஜெபமாலையில் உள்ள 108 மணிகளுக்கு பின்னால் ஜோதிட சாஸ்திர காரணம் உள்ளது. ஜோதிட சாஸ்திரத்தின் படி, 27 நட்சத்திரக் கூட்டம் உள்ளது. ஒவ்வொரு நட்சத்திர கூட்டத்திற்கும் 2 கட்டங்கள் உள்ளது. இந்த 27 நட்சத்திர கூட்டங்கள் 108-டிற்குள் சரண்களை கொண்டுள்ளது. குறிப்பு ஒரு மந்திரத்தை எத்தனை முறை ஜெபிக்கிறோம் என்பதை ஜெபமாலையில் உள்ள மணிகள் குறிக்கும். ஜெபமாலையில் உள்ள முதன்மையான மணியை சுமேரு என அழைக்கிறோம். சுமேருவில் இருந்து தொடங்கும் மந்திர ஜெபித்தல் அந்த மணியிலேயே முடியும். மந்திரம் கூறி முடித்த பிறகு சுமேருவை எப்போதுமே நெற்றியில் வைக்க வேண்டும். அதற்கு காரணம், முழு வழிமுறையையும் இதுவே முழுமையாக்கும்.

Source: Sumathi sundar.:pray2:

Nyunkha (न्यूङ्ख् ) and 16 sorts of "OM"

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I hope some learned member can shed some light on this.

I was studying the Ashtadyayi today (as usual) and came to a Sutra that mentioned about न्यूङ्ख(Nyunkha) vowels and 16 sorts of "OM"...that is the OM has to be repeated in 16 varieties in sacrificial works.

Does anyone have any idea what these 16 are?
How is it pronounced?

நூற்றாண்டைக் கடந்தும் தொடரும் தெய்வீகப&#

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நூற்றாண்டைக் கடந்தும் தொடரும் தெய்வீகப் பணி




மனைவி லஷ்மியுடன் பரசுராம கனபாடிகள்


நூற்றாண்டைக் கடந்த பரசுராம கனபாடிகள் (1914-ம் ஆண்டு பிறந்தவர்) வேதத்தில் `கனம்’ முறையைக் கற்றுத் தரும் பணியை இன்றும் செய்துகொண்டிருக்கிறார். அம்பத்தூரில் ஸ்ரீயாக்ஞவல்க்ய குருகுலத்தை அமைத்து, இன்றும் வேத மாணவர்களுக்கு சுக்ல யஜூர் வேத `கனம்’ முறையில் பயிற்சி அளித்துவருகிறார்.


இவரது குரு ப்ரம்மஸ்ரீ இஞ்சிக் கொல்லை சிதம்பர கனபாடிகள். விசாலாட்சி அம்மாள் மற்றும் வெங்கடராம ஐயர் ஆகியோரின் புதல்வரான பரசுராமர் கனபாடிகளின் வேதக் கல்விக்கு வழிகாட்டியவர் காஞ்சி மகா பெரியவர்.


கனம் சொல்வதில் வல்லவரே கனபாடிகள். இதற்கு மிகுந்த ஞாபக சக்தி தேவை. முதல் வரியில் வரும் மூன்று பதத்தை எண்ணிக்கையில் சேர்த்துச் சொல்ல வேண்டும். உதாரணத்திற்கு சுக்லாம் பரதரம் விஷ்ணும் என்று எடுத்துக் கொண்டு கனம் போல் கூற வேண்டுமென்றால், முதல் முறை சுக்லாம் பரதரம் விஷ்ணும் என்று கூற வேண்டும், இரண்டாம் முறை சுக்லாம் பரதரம் பரதரம் விஷ்ணும் என்று எண்ணிக்கை மாறுபாடு கொள்ளும்.


சுருதி, ரிதம், தாளம் ஆகியவற்றோடு இயைந்து வேத பதங்கள் அமைக்கப்படும். புத்தகத்தைப் பாராமல் நினைவிலிருந்து மட்டுமே எடுத்துச் சொல்ல வேண்டும். நூற்றியோராவது வயதில் இத்தகைய முறையில் வேத பாராயணம் செய்வதே பெரிய விஷயம். இவரோ அதைக் கற்றுத்தரவும் வல்லவராக இருக்கிறார் என்பது அபூர்வம்.


அம்பத்தூரில் உள்ள இந்த குருகுலத்தில் இந்த நூற்றியோரு வயதிலும் விடியற்காலையிலேயே வேத வகுப்புகளைத் தொடங்கிவிடுகிறார் பரசுராம கனபாடிகள்.


வேதமும், கன பாராயணமும் கற்ற இவரது வேதப் பணியைப் போற்றும் விதமாகத் திருமலை திருப்பதி தேவஸ்தானம் இவரைக் கெளரவித்துள்ளது. பாரதீய வித்யா பவன் இவருக்கு ‘வேத ரத்ன புரஸ்கார்’ விருது அளித்துள்ளது. காஞ்சி மகா பெரியவர் ‘பிரம்ம ரிஷி’ என்று இவரை அழைத்தார். இவற்றுடன் சேர்த்து இருபத்திரண்டு


விருதுகள் பெற்றுள்ளார். வேத சாத்திரத்தைப் பேணிப் பாதுகாத்துவரும் பன்னிரண்டிற்கும் மேற்பட்ட அறக்கட்டளைகளும், சங்கங்களும் இவரைக் கெளரவித்துள்ளன.


இவரது கையெழுத்துப் பிரதியான சதபத ப்ராம்மணத்தை சாந்தீபனி ராஷ்டிரிய வேத வித்யா பிரதிஷ்டான் புத்தகமாக, வெளியிட்டுள்ளது. வேதம் குறித்த பல கருத்தரங்குகளில் கலந்துகொண்டுள்ள இவர், வேதத்தின் அங்கங்களான பத, க்ரம, ஜட, சதபத ப்ராம்மணம், பூர்வ, அபர பிரயோகம், சம்ஹித ஹோம பதாதி ஆகியவற்றை சமஸ்கிருத மொழியில் ஐயாயிரம் பக்கங்களுக்கு மேல் அச்சுப் பதித்தாற்போல் கைகளால் எழுதியுள்ளார் என்பது குறிப்பிடத்தக்கது.


அல்லூரில் இருந்தபோது இவரது கையெழுத்துப் பணி தொடங்கியது என்று கூறிய இவரது 94 வயதான மனைவி லஷ்மி, அப்பொழுதெல்லாம் மின்விளக்கு கிடையாது, திண்ணையில் கொசு வலைக்குள் அமர்ந்துகொண்டு அரிக்கேன் விளக்கு வெளிச்சத்தில் இரவு ஒரு மணி வரை வேதத்தை எழுதிக் கொண்டிருப்பார் என்று நினைவுகூர்ந்தார். அந்த உழைப்பும் அதற்குப் பின்னாலுள்ள ஈடுபாடும் இன்றளவும் குறையவில்லை இந்தத் தம்பதியரிடம்.


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Sri Krishna says ‘of the daityas, I am Prahalada’ -Verse 10.30

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Sri Krishna says ‘of the daityas, I am Prahalada’ -Verse 10.30

When we ponder on the term Bhakti is and the devotees of the Lord [Bhaktas], the most ardent devotee of the Lord is Prahlada. The reason why he is greatest of the bhaktas is because he did not have any specific reasons for doing bhakti to the Lord. His devotion to the Lord was a spontaneous and even when he faced problems and had afflictions from his own father, he did not cry out to the Lord for help and resolution. It was indeed the duty of the Lord to save Prahlada when he was in danger.


Prahlada was a Sathyasandha [truthful person] and it is verily because he was truthful, the Lord came in front of Hiranyakashipu.



The Lord did not take such a beautiful form when he came in front of Prahlada and Hiranyakashipu. He did not take the form of an animal nor a human-being. He had taken the half-human and half-animal form. That form of the Lord scared lot of people. But there was one person who was not scared and it was Hiranyakashipu. He thought that it was some animal which entered his courtyard and he started to fight the Lord who had come down as Lord .




The Lord was not able to be propitiated. His anger was so much that even Goddess Lakshmi was scared to go near the Lord.

When all of them were gripping in fear on seeing the countenance of the Lord, there was one person who was not scared by his form and it was verily Lord Prahalad. He boldly went to the Lord and took a seat on his lap and started to do a stuthi. Before he started off with his beautiful stuthi, Prahalada cried out,
”Oh Lord, So many of them have sung beautiful verses in praise of you and yet you are still seem to be outraged. I am a foolish little boy and are you going reconcile by the song of mine? He immediately replied to his own question. He said “Oh Lord, yes you will be pleased with my song. Didn’t you not become happy with an elephant’s call in which he shouted your name for help. You came down to rescue him. Our Guru Maharaj puts this in a beautiful kirtan – “oru nazhikayil avan thapmaum thirdadandro” – nazhikai is a very small instant of time. It took the Lord a fraction of second for him to come down to save Gajendra.

“Naham bibhemyajitha theathibhayanakasya
jihvarkanaetrabrukutirabhasogradhamsthath
Annthrasthrja: kshathajhakesarashankhukarnaan
nirhradhabithadigibhadabinnakagrat”



We become scared when we first see a small worm, but after some time when we see a snake, we are no longer scared of the small worm. Akin to this fact, Prahalada says he is afraid of something. He is afraid of the dreaded whirlpool called samsara which is even more gory and getting caught in the samsara is more sorrowful. Oh Lord you are the elixir [kalpataru] who can bestow moksha and liberate one from the clutches of samsara says Prahalada in his stuthi. He cries to the Lord that the deadliest disease that one can be afflicted is verily the samsara. Samsara does not mean family life but attachment to the family life. The moment one is detatched from family life and always thinking of the Lord is attaining moksha from this mundane world.

Akin to this fact, Prahalada says he is afraid of something. He is afraid of the dreaded whirlpool called samsara which is even more gory and getting caught in the samsara is more sorrowful.

Oh Lord you are the elixir [kalpataru] who can bestow moksha and liberate one from the clutches of samsara says Prahalada in his stuthi. He cries to the Lord that the deadliest disease that one can be afflicted is verily the samsara. Samsara does not mean family life but attachment to the family life.

The moment one is detached from family life and always thinking of the Lord is attaining moksha from this mundane world.

Lord Narashima said to Prahalad (Bhagwatam, 7/9/52), “Son, ask for a boon. Prahalad said, “May I say something? Please don’t feel bad.” Sri Narsihma said, “Tell me.”

Prahalad continued, “If a human being had no material desire, then he would become like you, my Lord. I don’t want to have any desires. I won’t ask for anything.” Lord Narshima Bhagwan said, “My child, everyone asks for a boon when they see me. Because you are a child you don’t realize this, so ask.”

Pahalad said (Bhagwatam, 7/10/7), “Alright. My wish is that I never have any desires and I never ask anything from you. Please grant me this wish and guarantee that I will always remain this way.”

The Bhakti of Prahlaada is ananyam. Though he was kid and his father tortured him so much, he never thought about anything other than Shri Hari. Hence Mahaavishnu saved him. Prahlaada comes first in the list of Bhaktas and is a maarga-darshi for us.








Bhagavad-gita As It Is Chapter 10 Verse 30

https://moralstories.wordpress.com/2...kta-prahlaada/

Gajendra Moksha- An Elephant's Intense Bhakthi

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Gajendra Moksha- An Elephant's Intense Bhakthi


The story of Gajendra Moksha tells about how the intense & non-verbal prayer of a desperate elephant caught by crocodile was answered by God.





Dhyaan dharey man sey mera karey na chit udaas
Samjhey mujhko har samay hardam apney paas |
Ghat ghat mein sansaar key vyaapak main bharpoor
Prem sey nitya sameep hoon, prem nahin to door ||

These lines belong to the Bhagvad Geeta in Hindi by Pandit RadheyShyam from Bareily.

Krishna says that man should meditate upon the Lord, not feel dejected and think of the Lord, as always being at hand.
Krishna claims that He is present in abundance in every atom of the world.



To those who have love (and faith) in their heart, God is close by, to the others He seems to be far away!

The following story ‘Gajendra Moksha’ is a part of the Shrimad Bhaagvad.


Gajendra was the King of elephants.



One hot day, he proceeded to the lake with his family to cool off in its fresh waters.



But from within the lake a crocodile appeared who attacked him and would not let go of him.
When the family and relatives saw ‘death’ coming close to Gajendra, and everyone realised that everything was lost, they left Gajendra alone.

The symbolism so far:



  • Man is Gajendra
  • The world, is the lake where he plays the game of life with family and others.
  • The crocodile is ‘Death and Difficulties’ which attack man.


The Lesson:



  • Neither family nor friend can liberate one from the clutch of death.
  • God answers your prayers.


It is said that ‘Nirbal key bal Ram’



Which means that God is the Strength of the Weak!


A lot of us make preparations for a journey from which one is meant to return; yet we make none for death!
Most of us cry out to God when caught in hopeless situation.


It does not matter if you have the body or intellect of an animal, all you require is a loving heart and the conviction that God is closer than we can possibly believe!

The Lord rushed to Gajendra’s aid.

The latter offered the Lord a lotus flower.

And that is what Gajendra did!

Gajendra prayed:



‘Please help me O Lord! Save me from the clutches of Death!’



I am not asking you to save me from the clutch of the crocodile, or that I should survive this attack! I am aware that I not only have a body of an elephant but also a fat mind of an elephant! What is the use of keeping this life? I want to be liberated from my Ignorant Mind which hides the resplendent soul! I can only be saved by Your Grace!


This Story also explains 'Saranagathi' Thathwa, that Lord protects those devotees who sincerely pray and surrender to Him.



God attacked the crocodile and saved His Loved One.





Gajendra, in his previous life was a great devotee called Indradyumna who was also a great king. One day, Agastya, a great sage came to visit the king. Indradyumna did not receive the Sage with the respect that the latter expected. The enraged Agastya cursed the king to become an elephant in his next birth, as he sat heavy on his seat and did not rise to greet him.



The crocodile in its last life was a king called HuHu in the Gandharva planet. Once while enjoying himself in the waters, he pulled the leg of a sage. The enraged sage cursed the king to become a crocodile in his next life. The repentant HuHu asked for pardon. The Sage proclaimed that though he could not retrieve the curse, the crocodile would be liberated from the cycle of birth and death when Gajendra would be saved by the Lord God Himself.





It is said that if one recites the Gajendra Prayer, one achieves liberation and freedom from frightening dreams!




Gajendra’s story is a recollection of “Maa kuru dhana jana yaouna garvam” line in Adhi Sankara’s Bhaja Govindham.
(Discourse by Guru Ramanujamji on 12 Th January 2010 at Narada Gana Shaba)

True Bhakti is ultimate surrender to the Lord.That is what Gajendra did.

Surrender to God is the Superbowl of devotion.

On surrender ,Sri.Ramana Maharishi says’ the feeling 'I am helpless myself, God alone is all powerful, and except by throwing myself completely on Him, there is no other means of safety for me'; surrender is another name for jnana or liberation.



Gajendra Moksha Stuti (Prayer)
AUM NAMO BHAGAWATE TASMAY YAT ETCCHIDATMAKAM
PURUSHAAYAA DIBIJAAY PARESHAAYAABHI DHEEMAHEE
YASMINNIDUM YETASCCHEDUM YENEDUM EEDUM SWAYAM
YOSMAAT PARASMAASCH PARAH TUMPRAPADYE SWAYAMBHOOWAM

Dal Sabzi for Aatman: Gajendra Moksha

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Gajendra Moksha- An Elephant's Intense Bhakthi

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Gajendra Moksha- An Elephant's Intense Bhakthi


The story of Gajendra Moksha tells about how the intense & non-verbal prayer of a desperate elephant caught by crocodile was answered by God.





Dhyaan dharey man sey mera karey na chit udaas
Samjhey mujhko har samay hardam apney paas |
Ghat ghat mein sansaar key vyaapak main bharpoor
Prem sey nitya sameep hoon, prem nahin to door ||

These lines belong to the Bhagvad Geeta in Hindi by Pandit RadheyShyam from Bareily.

Krishna says that man should meditate upon the Lord, not feel dejected and think of the Lord, as always being at hand.
Krishna claims that He is present in abundance in every atom of the world.



To those who have love (and faith) in their heart, God is close by, to the others He seems to be far away!

The following story ‘Gajendra Moksha’ is a part of the Shrimad Bhaagvad.


Gajendra was the King of elephants.



One hot day, he proceeded to the lake with his family to cool off in its fresh waters.



But from within the lake a crocodile appeared who attacked him and would not let go of him.
When the family and relatives saw ‘death’ coming close to Gajendra, and everyone realised that everything was lost, they left Gajendra alone.

The symbolism so far:



  • Man is Gajendra
  • The world, is the lake where he plays the game of life with family and others.
  • The crocodile is ‘Death and Difficulties’ which attack man.


The Lesson:



  • Neither family nor friend can liberate one from the clutch of death.
  • God answers your prayers.


It is said that ‘Nirbal key bal Ram’



Which means that God is the Strength of the Weak!


A lot of us make preparations for a journey from which one is meant to return; yet we make none for death!
Most of us cry out to God when caught in hopeless situation.


It does not matter if you have the body or intellect of an animal, all you require is a loving heart and the conviction that God is closer than we can possibly believe!

The Lord rushed to Gajendra’s aid.

The latter offered the Lord a lotus flower.

And that is what Gajendra did!

Gajendra prayed:



‘Please help me O Lord! Save me from the clutches of Death!’



I am not asking you to save me from the clutch of the crocodile, or that I should survive this attack! I am aware that I not only have a body of an elephant but also a fat mind of an elephant! What is the use of keeping this life? I want to be liberated from my Ignorant Mind which hides the resplendent soul! I can only be saved by Your Grace!


This Story also explains 'Saranagathi' Thathwa, that Lord protects those devotees who sincerely pray and surrender to Him.



God attacked the crocodile and saved His Loved One.





Gajendra, in his previous life was a great devotee called Indradyumna who was also a great king. One day, Agastya, a great sage came to visit the king. Indradyumna did not receive the Sage with the respect that the latter expected. The enraged Agastya cursed the king to become an elephant in his next birth, as he sat heavy on his seat and did not rise to greet him.



The crocodile in its last life was a king called HuHu in the Gandharva planet. Once while enjoying himself in the waters, he pulled the leg of a sage. The enraged sage cursed the king to become a crocodile in his next life. The repentant HuHu asked for pardon. The Sage proclaimed that though he could not retrieve the curse, the crocodile would be liberated from the cycle of birth and death when Gajendra would be saved by the Lord God Himself.





It is said that if one recites the Gajendra Prayer, one achieves liberation and freedom from frightening dreams!




Gajendra’s story is a recollection of “Maa kuru dhana jana yaouna garvam” line in Adhi Sankara’s Bhaja Govindham.
(Discourse by Guru Ramanujamji on 12 Th January 2010 at Narada Gana Shaba)

True Bhakti is ultimate surrender to the Lord.That is what Gajendra did.

Surrender to God is the Superbowl of devotion.

On surrender ,Sri.Ramana Maharishi says’ the feeling 'I am helpless myself, God alone is all powerful, and except by throwing myself completely on Him, there is no other means of safety for me'; surrender is another name for jnana or liberation.



Gajendra Moksha Stuti (Prayer)
AUM NAMO BHAGAWATE TASMAY YAT ETCCHIDATMAKAM
PURUSHAAYAA DIBIJAAY PARESHAAYAABHI DHEEMAHEE
YASMINNIDUM YETASCCHEDUM YENEDUM EEDUM SWAYAM
YOSMAAT PARASMAASCH PARAH TUMPRAPADYE SWAYAMBHOOWAM

Dal Sabzi for Aatman: Gajendra Moksha

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ராம நாம மகிமை

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ராம நாம மகிமை





சாமி! குழந்தைக்கு உடம்பு சரியில்லே. வைத்தியரிடம் காட்டி, எவ்வவளவோ மருந்து மாத்திரையெல்லாம் கொடுத்து பாத்துட்டேன். இன்னும் சரிவரலே. நீங்கதான் ஏதாச்சும் மந்திரம் சொல்லி குழந்தையைக் காப்பாத்தணும், என்றாள் குழந்தையைக் கொண்டு வந்த ஒரு தாய். அது ஒரு ஆஸ்ரமம். தீராத வியாதியுள்ள குழந்தைகளை இங்குள்ள சாமியாரிடம் காட்டி மந்திரம் சொல்லி நோய் போக்க வேண்டுவர் அப்பகுதி மக்கள். சாமியாரும் மனதுக்குள் ஏதோ மந்திரம் சொல்லி, தீர்த்தம் கொடுப்பார். குழந்தைகளுக்கு நோய் போகும். இந்தப் பெண் வந்த சமயத்தில் தலைமை குரு இல்லை. சில சிஷ்யர்கள் தான் இருந்தனர். அதில் ஒரு சீடர், தாயே! வீட்டுக்குப் போய், ஒரு குவளை தண்ணீர் எடுத்து, அதில் கையை வச்சு ராமநாமத்தை மூன்று முறை சொல்லி, தீர்த்தத்தை குழந்தைக்கு கொடு, சரியாயிடும், என்றார். அப்பெண்ணும் அவ்வாறே செய்ய குழந்தை கண்விழித்தது. அவள் அடைந்த மகிழ்ச்சிக்கு அளவே இல்லை.


குழந்தை வழக்கம்போல் துருதுருவென விளையாடி மகிழ்ந்தது. மறுநாள் அந்த தாய் சாமியாருக்கு நன்றி சொல்ல வந்தாள். சுவாமி, தங்கள் சீடர் சொன்னபடியே ராமநாமத்தை மூன்று தடவை சொல்லி தீர்த்தம் கொடுத்தேன். ராமநாமத்தின் மகிமையால் குழந்தை பிழைத்தது. நான் தங்களுக்கு மிகவும் நன்றி கடன்பட்டுள்ளேன் என்றாள். சாமியார் அவளை அனுப்பி விட்டார். அவருக்கு கடும் கோபம். சீடனை அழைத்தார். முட்டாளே! நானில்லாத நேரத்தில் ராமநாமத்தின் மகிமையை குறைத்திருக்கிறாய். இந்தா பிடி! இந்தக் கல்லை எடுத்துக் கொண்டு போய், இதன் விலை என்ன என்று கேட்டு வா, எனச்சொல்லி அனுப்பி விட்டார். அவர் அந்தக்கல்லுடன், ஒரு மளிகைக்கடைக்கு போனார். கடைக்காரர் அதைப் பார்த்து விட்டு, என்னிடம் இருந்த எடைக்கல் தொலைந்து விட்டது. அதற்கு பதில் இதைப் பயன்படுத்திக் கொள்வேன். வேண்டுமானால் ஒரு ரூபாய் தருகிறேன், என்றார். சீடர் ஒரு நகைக்கடைக்குச் சென்றான்.


அவர்கள் அதை பரிசோதித்து விட்டு, ஆ...இது விலை உயர்ந்த கல். இதைப் போன்ற அபூர்வக்கல் கிடைப்பது எளிது. தருகிறீரா..ஒரு லட்சத்துக்கு, என்றனர். பின்னர் அவர் அரண்மனைக்கு போய், ராஜாவிடம் காட்டினார். ராஜா தன் ஆஸ்தான சிற்பிகளை வரவழைத்துக் காட்ட, இது ஒரு கோடி பெறுமே. இது போன்ற கல் கிடைப்பது அதிசயம், என்றனர். ராஜா அதை விலைக்கு கேட்டார். குருநாதரிடம் கேட்டு வருவதாகச் சொல்லி விட்டு திரும்பிய சீடர், நடந்ததை குருவிடம் சொன்னார். சீடனே! இக்கல் நீ கேட்ட இடத்தில் எல்லாம் ஏதோ ஒரு மதிப்பை உன்னிடம் கூறினர். ஆனால், அவர்கள் சொன்னதை விட இது விலை உயர்ந்தது. இதோ பார், என்றவர், சில இரும்புத்துண்டுகளை எடுத்து அதன் மீது கல்லை வைத்தார். இரும்பு தங்கமாக மாறிவிட்டது. பார்த்தாயா! இது ஸ்வர்ணமணி என்னும் அபூர்வக்கல். இரும்பை தங்கமாக்கும் சக்தி கொண்டது. ஆனால், நீ சொன்னாயே, ராமநாமம். அது இவை எல்லாவற்றையும் விட சக்தி வாய்ந்தது. அதை ஒருமுறை சொன்னாலே போதும். நீ மூன்று முறை சொல்லச் சொன்னது தவறல்ல என்றாலும், ஒருமுறை சொன்னாலே நோய்கள் தீரும் என்பதை ஆணித்தரமாகச் சொன்னால் தான் ராமநாமத்திற்கு மகிமை மேலும் அதிகரிக்கும். புரிந்ததா? என்றார்.


குருவின் புத்திக்கூர்மை, ராமநாமத்தின் மகிமை ஆகியவற்றை நினைத்து சீடன் பேரானந்தம் கொண்டு விக்கித்து நின்றான்.


????? ??????, ????? ????????!

The Story of Aandal

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The Story of Aandal






From December 15 to January 15 is the Tamil month of Dhanus or Margazhi and reciting Thiruppavai in the month of Margazhi is considered to be auspious. Aandal is the composer of these 30 verses. Aandal (Tamil: ஆண்டாள்) is an 8th century (or earlier) Tamil saint and one of the twelve Alwars (saints) and the only woman Alwar of Vaishnavism.Alwars are saints having lived between the fifth and ninth centuries, in the Tamil speaking regions of India and these saints revitalized the Indian religious milieu, sparking a renewal of devotional worship throughout the subcontinent.


Aadi Pooram, also known as Aandal Jayanthi, celebrates the birth of Aandal - dedicated to her as she is believed to be an avatar (incarnation) of goddess Lakshmi. Aandal is very popular in Tamil Nadu especially among the Vaishnavaites (those who worship lord Vishnu).

Aadi Pooram derives its name from Aadi (Ashata) the month (mid July to mid August) and Pooram (Poorva, Phalguni) the star, the day on which Aandal was born - a Tuesday coinciding with shukla chaturthi (fourth day of the waxing moon period).

According to the Sri Vaishnava belief Aandal was found in a flower garden in Srivilliputhur( we will be talking about her birth in detail a little later) during the Pandya dynasty.The exact date of her birth is not known but from studies it is found that she must have lived in 7th / 8th Century A.D. (Divya Suri Charita - hagiography of the Alwars -records that she appeared as a child in the 97 th year after the onset of Kali Yuga termed the Nala year, in the Tamil month of Adi in the Purva Phalguni asterism.) More identified with Aandal is the month Margazhi (Dhanur masa in Hindi) spanning from mid-December to mid-January, and during this month Thiruppavai a composition of 30 verses composed by Aandal is recited in homes and temples of Tamil Nadu.

It is said that she sang this on each day of the month and on the 30th day due to her supreme devotion to the lord she got married to Sri Ranganatha at Srirangam.The life of Aandal is remarkable in its romantic simplicity.

Aandal was the adopted daughter of Vishnu Chittar who later came to be known as Peria Alwar. Periya Alwar, is believed to be an incarnation of Garuda (the vehicle of lord Vishnu).

The Birth of Aandal: The story of Andal really begins with Varahavatharam [Varaha (Sanskrit: वराह) is the third avatar of Vishnu, in the form of a boar,in order to defeat Hiranyaksha].Legend has it that the demon Hiranyaksha had pushed Mother Earth(Bhoomi Piratti/Bhooma Devi) down into oceans and lord Vishnu appeared as Varaha, the boar incarnation, to rescue her. As the story goes Hiranyaksha started troubling saints, humans and the devas.

Finally, he decided to drag and throw the earth into the ocean. When he did it Mother Earth gave a huge cry and Vishnu appeared in the form of Varaha and fought and killed Hiranyaksha and restored Mother Earth. Bhoomi Piratti asks her lord Srimannarayana what was the reason for his decision to take the avathar of a boar and that her friends were sure to make fun. of her.

Lord Varahaswamy then makes a promise to his goddess that he would take the avathar of the lord in Srivilliputhur and marry her as Aandal on Panguni Uttiram day. It is this promise of lord Varaha that results in the avathar of Andal and her thirukalyanam (marriage) with the lord Sir Ranganatha Perumal at Srirangam.


Just as Sita the wife of lord Rama was found in the royal gardens of Mithila by Janaka Maharaj, Aandal too was born as the incarnation of Bhudevi/Bhooma Devi in the garden of Vishnu Chittar under a tulasi plant in his tulasi nandanam (garden).

Vishnu Chittar, having found this beautiful girl child nestled among the tulasi plants and being childless, considered the child, a gift from Bhooma Devi. He and his wife Vrajai raised Andal with great love, affectionately calling her as “Godai” or “Kodai”.The word Godai or Kodai has several meanings: one who bestows the power of speech and expression, one who is bestowed by the Earth, one who has sweet curls, one who is like a flower garland and one who has control over the senses.


Vishnu Chittar, being an ardent devotee of lord Krishna imparted to Godai, his own love for lord Krishna, enchanting her with stories of Krishna.Vishnu Chittar sang songs to Godai on his treasured lord Krishna, told her all the stories and taught her the philosophy he knew, and she grew up sharing his love of Tamil poetry.Each day, as Vishnu Chittar went to his garden and collected flowers to adorn the lord, Godai would go along along with him hoping that she would meet the lord. Each day, as Vishnu Chittar sang in praise of lord Krishna, he told her stories of the Krishna and her fascination for the lord grew. A child prodigy and fostered lovingly she grew into a beautiful maiden and became an embodiment of love for lord Krishna. Steadily her love for the lord deepened in her. Even as a child, Godai made up her mind to marry none but the lord . Toying with this idea deeprooted in her, she fantasized what it would be like to be the lord’s bride. She often played the role of the lord’s beloved.


As a daily routine Vishnu chithar would weave a garland of tulasi leaves and flowers that he had collected from the garden and keep it sacredly rolled in a flower basket so that he may, after attending to his household duties, take the garland to the temple for offering to the lord. The child Andal in her profound innocence would take out the garland daily without her father's knowledge, adorn herself and look into the mirror to satisfy herself on whether the garland was suitable enough for the lord. Lord Krishna will wear this very same garland... she would think to herself.Also thinking herself to be the bride of the lord she thought it appropriate to deck herself daily with the garland of flowers that was prepared for the diety at the temple. She would then put the garland back, for her father to take to the temple and offer to the lord. On one occasion

Vishnu Chittar noticed a strand of hair on the garland. Finding that it was Godai’s hair he discarded it after scolding her for her misdemeanour. He was shocked for it was a great defilement. He fasted that day as a penance and did not offer that garland to the lord, and took a fresh one. But the fresh garland fell off from the lord's neck and it continued so in spite of several attempts by Vishnu Chittar.


That night Vishnu Chittar saw the lord in his dream and the lord told him that he would be more than pleased to be adorned in the garland once worn by Godai and said that he will in fact only wear the garland first worn by her. To his wonder Vishnu Chithar found that the tulasi mala worn on the previous day by Andal, which was hanging from a nail in the wall in his room had not faded, but was fresher than a freshly made garland. Thereafter, he always offered the garland to the deity after being first worn by Godai. He became conscious of her spiritual greatness and the strength of Godai’s love for the lord. This is how she got the name Aandal- the girl who “ruled” over the lord.Aandal is also respectfully remembered as Soodi Kodutha Nachiar...."the bright creeper-like woman who gave her garlands after wearing them".


Aandal's Marriage: When Aandal was of marriageable age Vishnu Chittar was trying to find a suitable match for her but she thwarted his efforts with the assertion that she was destined to be the bride of none other than lord Vishnu and that she had spent her youth in purposeful pursuit of her aim to realize oneness with the lord. She urged him to describe to her the attributes of Vishnu enshrined in several of the shrines that he knew of.

Therefore, Vishnu chithar narrated all the kalyana gunas (auspicious qualities )of all the aracha-murthis (forms of the lord which can be easily appreciated by the common man) of the one hundred and eight Sri Vaishnava kshetras. When she heard of the soundarya (beauty) of lord Srirangam-Lord Ranganatha-tears of joy came over her and her heart prayed to HIM to come and accept her in wedlock.Periya Alwar wondered how Aandal could get married to the lord.But one day lord Ranganathar, appeared in Periya Alwaar's dream asking him to bring Aandal to the temple at Srirangam, where he would marry her.He also came in the dream of the temple priest and instructed him to go to Srivilliputhur with all the things needed to welcome a bride and accompany the bridal party.

The lord also came in the dream of the Pandya king Vallabadevan and instructed him to arrange for a pearl palanquin to bring the bride to Srirangam. Following the divine ordinance, Periya Alwaar led Aandal in a bridal procession to the grand temple at Srirangam, where Aandal walked in with a sense of purpose. She was drawn to him like a magnet, she went near the lord, climbed on the serpent bed and became one with Him.She had embraced lord Ranganatha and disappeared in a blaze of glory, having joined her Lord.

She attained a state of bliss by the total surrender of body, mind and soul Atma samarpanam.She was only fifteen years old at the time.


Indian Festivals and Hindu Mythology

Ksheedhaham related queries

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Hi
Am Harish, a member from Abu Dhabi and am Iyer.
Recently my younger cousin brother (son of my uncle, chiththappa, father's younder brother) was blessed with a baby boy and hence we have what is called Ksheedhaham or Vriddhi theettu. For how many days is this theettu?

I want to know whether one can continue to light the lamp (vilakku) at home and chant shlokas and sahasranamas during this time. And what about sandhyavandanam - is one allowed to do this during this theettu?
And what about vigraham pooja like putting flowers or coins for 108 names of Lakshmi etc. Can one do that during the theettu?

Some one who knows about these traditions kindly answer my queries. My parents are also confused. As i have stopped all the routine prayers for the timebeing.

Thanks,
Harish

Agni the Priest and Messenger in Hinduism

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Agni the Priest and Messenger in Hinduism



Agni (अग्नि: Sanskrit, meaning "fire") is one of the most ancient and important gods (deva) in Vedic Hinduism that plays a central role in sacrificial rituals (yajna). As the god of fire, Agni is the conduit and messenger between the human realm and the celestial realm. Burnt sacrifices made through him are believed to go directly to other deities in heaven. During the Vedic age, Agni was frequently propitiated as an integral part of the animal sacrifices during this period. In modern times, Agni continues to be a central part of the traditional Hindu wedding ceremony, which revolves around a fire-altar.

Agni is the supreme director of religious ceremonies and duties, serving as a high-priest who carries oblations directly to the gods from human beings. He is afforded this role since his jurisdiction spans both heaven and earth, which allows him to become the meeting point between the celestial and terrestrial worlds. His many tongues are said to consume sacrificial offerings, and then transfer them in the form of smoke so they may be presented to the gods above. Not only does Agni provide the offerings from men to gods by way of his flames, but he also brings the gods to the altar. He is singularly responsible for transmitting the boons of the gods to humanity. The very first verse of the Rg Veda lauds his power:



I extol Agni, the household priest, the divine minister of the sacrifice, the chief priest, the bestower of blessings.


May that Agni, who is to be extolled by ancient and modern seers, conduct the gods here.Through Agni may one gain day by day wealth and welfare which is glorious and replete with heroic sons.


O Agni, the sacrifice and ritual which you encompass on every side, that indeed goes to the gods. (Rg Veda I:1)

Although Agni enjoys pervasive power in the heavens and in the atmosphere, he also humbles himself as the household fire, the focal point of domestic rituals. Considering his immense significance in both public and private sacrifice, Agni has been given many honorific titles. He is considered the first to have conducted the sacrifice, and no performer of sacrifice is older than he is, suggesting the eternal nature of Agni's role. As such, he is the prototype for the ideal priest.


Agni as Witness

Fire was also used as a test of credibility, rendering Agni as a witness apt in discerning what was truth and what was a lie. Since Agni presided over speech, the truth of one's words was sometimes evaluated by making a speaker walk through (or else in proximity of) fire, a practice called Agni-priksha. Successful negotiation of such a trial was thought to demonstrate the veracity of one's speech. Taking Agni as a witness is a very old tradition, dating back as far as the Vedas, which describe him as such:



O Agni...each fault done in a village or in forest, in society or mind, each sinful act that we have committed to Shudra or Vaishya or by preventing a religious act, even of that sin, you are the expiation... (Yajurveda, Hymn i.8.3.d)

One particularly famous story in the Ramayana describes how Lord Rama asked his wife Sita to affirm her chastity in the presence of fire after she had been unwillingly confined in the harem of Ravanna. Sita obliged, swearing an oath confirming her chastity and denying all complicity in Ravanna's scheme; since she did so in the presence of fire, all parties in attendance were satisfied. In the Valmiki Ramayana, where Rama and Sugreeva vow that they will help each other and circle the fire thrice as a seal of their bond. Similarly in the epic Mahabharata, Susarma and his brothers the Trigartas swear by the fire to either defeat Arjuna or die at his hands. This tradition stems from the idea that fire is the purest, and therefore the holiest, of all natural elements. Thus, as the personification of fire, Agni embodies the truth of this purity and holiness.




Please read more from here


Agni - New World Encyclopedia

http://en.wikipedia.org/wiki/Hindu_wedding
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